Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts

Wednesday, April 01, 2009

Artist and Former Dalton Resident Louis N. Pontone to Be Exhibited at AFA Gallery Through April; Will Be At Gallery on "First Friday," April 3rd

Friday, April 3rd is the first First Friday of Spring 2009 in Scranton. Dr. Peter Cupple informed me of a very special exhibit and guest artist, former Dalton resident Louis N. Pontone, who will be exhibiting a number of his works in his one-man exhibit, Ut Pictura Poesis, at AFA Gallery (514 Lackawanna Avenue) from April 2nd through April 28th. In addition, Mr. Pontone, who is curating his own show, will be at the AFA Gallery on Friday, April 3rd from 6 PM to 9 PM for First Friday in Scranton. The Opening Reception on First Friday is free and open to the public.

An example of Mr Pontone's beautiful painting is above ("Hiding Place" 24" x 20", Acrylic - Linen - Panel), taken from the poster advertising the exhibit.

For more information, please call the AFA Gallery at (570) 969-1040 or visit them on the web at www.ArtistsForArt.com.

Much thanks to Dr. Peter Cupple for information on this event.

Wednesday, June 27, 2007

Factory Made: Warhol and the Sixties by Steven Watson (2003)

UPDATED 7/5/07

I am a HUGE fan of Andy Warhol--his paintings, the numerous documentaries and biographies about him--and especially his films. It is common knowledge that Warhol was born and raised in Pittsburgh, Pennsylvania--all the way on the other side of the state from Scranton. But were you aware that even Andy Warhol has a posthumous connection to Scranton? Let me explain.

In 2003, Steven Watson wrote the definite portrait of the Warhol Silver Factory years titled Factory Made; Warhol and the Sixties. In my own humble opinion, I think this is perhaps the best book on Warhol ever written. Not only does it paint a thorough and vivid picture of Warhol's years of painting and filmmaking in the 1960s (most would agree the sixties was his most productive period as an artist), but it also gives chronological and detailed accounts and biographies of the eccentric group of actors and artists that played roles in his famous Silver Factory in New York City during that time. Everyone from Warhol himself to his superstars (including Nico, Edie Sedgwick, Mary Woronov and Ultra Violet) to his friends and assistants (Brigid Berlin and Gerard Malanga) are profiled--even his near-assassin Valerie Solanis is included.

On the final page of Factory Made (page 436, to be exact), the final paragraph of the book discusses the preservation and continued revivals of Warhol's films, (which include The Chelsea Girls, Empire and Sleep), and this is where Scranton is mentioned:



"In the meantime, the films of the Factory era are resting safely in the Museum of Modern Art's film vault in a rural setting outside Scranton, Pennsylvania. They reside at an eternal 38 degrees, and if they are to be seen, they must first spend a few days in the warming-up room. Art and artifact, they record the Sixties like nothing else."



Now before you even ask, I must say that neither I nor my colleagues have any idea when the Museum of Modern Art's film vault is, in the vacinity of Scranton. It's a complete mystery to us. But if anyone can provide us with that final piece of the puzzle, please email me at refdept@albright.org.

According to the official website for the book, Factory Made is in the process of being adapted into a feature length documentary film.


Unfortunately, we do not include Factory Made in our library holdings, but portions of the book (including chapters excluded from the final edition) can be viewed online by clicking here. It's an excellent book and I HIGHLY recommend it. In addition, an excellent 2006 film covering that time period titled Factory Girl (starring Sienna Miller as Edie Sedgwick and Guy Pearce as Andy Warhol) will be released on DVD July 17th. Albright Memorial Library will have a copy of Factory Girl in its circulating DVD collection. You can place a hold on the DVD at http://www.lclscatalog.org/



UPDATE 7/5/07 "Ask and you shall receive" is my new motto. Not one, but TWO people helped me to answer the question "Where near Scranton is the MOMA film vault?" Well, the answer is Hamlin, PA-approximately 18 miles outside of Scranton in Wayne County.


The name of MOMA's film vault in Hamlin is The Celeste Bartos Film Preservation Center and it opened June 10, 1996. According to the web site, the $11.2 million film storage facility consists of two buildings on a 38-acre estate in Hamlin and houses over 14,000 of MOMA's rare film collection from 1894 to the present at a constant 38 degrees for preservation.


I want to give a big thanks to two awesome people for providing me with this last piece of the Warhol/Scranton puzzle--Brian Fulton, Library Manager at the Scranton Times and artist "The Other Michael" (whose website, http://www.xradiograph.com/, is absolutely incredible--the umbrella hats ROCK).

Thursday, February 01, 2007

"South of Scranton" by Peter Blume (1931)


Peter Blume (American, born Russia, 1906–1992)
South of Scranton, 1931
Oil on canvas; H. 56, W. 66 in. (142.2 x 167 cm)
George A. Hearn Fund, 1942 (42.155)
© Estate of Peter Blume/Licensed by VAGA, New York, NY
Image Courtesy of the Museum of Modern Art in NYC

In addition to film and music, Scranton, Pennsylvania also has a history as inspiration of fine art, as depicted in Peter Blume's 1931 surrealist painting South of Scranton, which was inspired by a car trip he took here in the Spring of 1930.

Artist Peter Blume (1906-1992) was born October 27, 1906 in Smorgon, Russia; he and his family emigrated to the United States in 1911 and settled in New York City.

Burke died on November 30, 1992 in New York City. He studied art at the Educational Alliance Art School from 1919 to 1924, at the Art Students League of New York and at the Beaux-Arts Institute of Design. He had his first one-man show in New York City in 1930.

Blume's art first gained fame and notoriety with the exhibition of his 1931 painting South of Scranton. Taking about a year and a half to complete, the painting was inspired by a car trip Blume took across Pennsylvania. Often stopping for repairs, Blume was inspired by the coal mines, locamotives and steel mills he encountered along his trip. He told reporters at the time, "I moved in my mind from Scranton to Bethlehem to Charleston.... Things lost their logical connection as they do in a dream."

South of Scranton was awarded first prize at the 1934 Carnegie International Exhibition; its selection for the prize evoked both harsh criticism and glowing praise from the art world. In 1942, South of Scranton won the second prize at the Artists for Victory Exhibition at the Metropolitan Museum of Art in New York City. During World War II it was sent to the Tate Gallery in London by the U.S. Government as one of a group of outstanding works by living American artists.

Peter Blume died in New York City on Nov. 30, 1992.

South of Scranton is part of the Permanant Collection at the Museum of Modern Art in New York City.